91̽��

After a long winter, the Dance Concert explodes with energetic performances, colorful costumes and lively music. Student choreographers begin work in the fall: preparing dance pieces, submitting proposals to dance teacher Kelli Edwards, auditioning, and choosing dancers.

This year’s concert includes a mix of modern dance, hip-hop, Irish step and swing—a piece that Ms. Edwards worked on with her son, Spencer Evett (III). The choreography class’s dance is a psychological exploration that combines spoken word and atmospheric music. Other highlights include an electric Step Team performance, an Indian dance, and a dance that mimics a mixed tape. One piece choreographed by Destiny Polk (I) explores institutional racism to the music of Billie Holiday.

Watch video of rehearsals.

One of the most popular events of the school year, the Winter Dance Concert opens in King Theatre at 7:30 p.m. on Thursday, March 5, and Friday, March 6, and curtains go up at 7 p.m. on Saturday, March 7.

By Kate Higgins (I) and Hannah Nigro (II)

Thirty-four 91̽�� students received recognition—Gold Key, Silver Key, or Honorable Mention—in the Massachusetts Scholastic Art & Writing Awards. The Scholastic Art & Writing Awards began in 1923 and are considered the most prestigious arts awards for teenagers in the country.

Will Hawkins (I) and Brian Kim (II) are both Gold Key recipients in art. In Advanced Drawing class with Mr. Torney, Will created “Help!” a drawing that depicts strokes of black ink splashed across the paper with a hand reaching out, emerging from one particular stroke. If you look closely, you can just make out a small boat in the distance. Will explains that the boat “gives a sense of uncertain hope, where the boat seems close, yet the person is almost completely submerged.” This piece is the result of experimentation with India ink and unorthodox tools such as a mop, cups, sponges and cloth. Mr. Torney described Will’s piece as “a wonderful example of simplicity and wit, seemingly spontaneous but actually quite deliberate, considered and sophisticated.” Will noted that this particular piece was one of many he created in which he was “exploring the emotions behind life’s struggles and trying to bring out the visceral nature of fear and being overwhelmed.” Brian’s piece, “Peek-A-Boo” is “a technical triumph” according to Mr. Torney. Brian used the photorealistic grid transfer process to combine a photo of his current head and the body of himself as a baby to create a surreal self-portrait.

91̽�� students fared extremely well in the writing category with Sophie Cloherty (II), Julia Grace (I), Hannah Iafrati (I), Jiyoung Jeong (II), Chloe Kim (III), Eliza Scharfstein (II), Tiara Sharma (II) and Alexandra Upton (IV)  all receiving Gold Key awards for their pieces. Many of these pieces stemmed from the writers’ personal experiences, which, as Chloe says, “proves that writers must write about what they know.” Her Gold Key-winning poem, “Roseville, Minnesota, 2003” stemmed from creative writing teacher Mr. Connolly’s encouragement to write a poem based on a photograph. Chloe took this opportunity write about a photograph of her cousin and herself. The two of them had fallen apart and she used her poem to explore the reason behind this. Her second Gold Key poem, “First Lesson,” balances both truth and lies. She uses her true experience of learning to draw stars from her mother to explore the lessons she learned. The poem ends with Chloe’s sad realization that her mother taught her everything except how to remember her after her death. In reality, however, her mother is very much alive.

Tiara Sharma drew from her Indian culture to create her two Gold Key-winning poems. “Vermillion” stemmed from her personal experience with her aging grandfather. She wrote about the common theme of death but added the unpredictable twist of writing it as a prediction of her grandfather’s demise. Writing from her grandmother’s perspective, she “tried to capture the stigma of being a widow in Indian culture.” By drawing upon her grandparents’ happy memories of living in Sringar, she hoped to help her grandmother and herself come to terms with their inevitable loss. Her second poem, “Missing Girls,” addressed the problem of sex-selective abortions in India. She played on the irony of how many female goddesses are revered in Indian culture, yet females are often encouraged to have an abortion if their fetus is not male. While the basis of the poem was mainly to address societal barriers in India, Tiara found that “she came to terms with her own femininity and realized it could be a powerful thing.”

Eliza Scharfstein took pieces of her experience living with a host family in a Chilean home, accomplishing her goal of juxtaposing the understandable awkwardness of being in an unfamiliar place with the immediate comfort that she feels. Her intentionally simple images and language allow for a strong narrative voice. This honest piece highlighted the loving relationship that Eliza shared with her host family.

Another Gold Key-winning poem, Jiyoung Jeong’s piece “Haunted,” dramatically compares the image of a hunted shark at a market with a soldier on the battlefield. The choice of this comparison evolved from a desire to “depict our civilization’s greed that consumes not only other species, but ourselves.” Jiyoung wowed the judges, also receiving a Gold Key for a drawing, two Silver Keys for a painting and mixed media piece, and two Silver Keys and an Honorable Mention for poetry.

Sophie Cloherty received a Gold Key for a flash fiction piece, titled “After Light Falls.” The piece is “hyper focused on the interaction between a father and son and for the most part is driven by dialogue.” Inspired by her love for Ernest Hemingway’s Hills Like White Elephants, she focused her entire story just on one conversation.

Hannah Iafrati and Alexandra Upton both wrote short stories. Hannah’s piece, “Birdman,” tricks the audience into the believing that the narrator and main character are roommates, when in reality, the narrator is a voice in the protagonist’s head. What started up as an attempt to create an interesting, yet, average, character, extended into the making of her “most unhinged character yet,” finding that the audience sympathizes more with the inner demon than the protagonist. Alexandra’s piece, “One Week,” portrays a man who has just found out he has one week to live. As a result of hearing the news, he spends the week traveling the world in order to revisit all the places that his wife went. He returns home, dying peacefully. This piece stemmed from Alexandra’s own wishes to travel.

Article originally published in The 91̽�� Measure 

Massachusetts Scholastic Art Awards 2015

HONORABLE MENTION:

Art

Alison Bodner

Claudia Chung

Hannah Iafrati

Julie Kim – (x2 for both an artwork and for her overall portfolio)

Lily McCarthy (x2)

Emma Mehta

Faith Pang

Giselle Prado

Ainsley Iwanicki

Ju Young

Writing

Allison Choi, Poetry

Marianna Dionne, Poetry (x2)

Hannah Iafrati, Writing Portfolio

Jiyoung Jeong, Poetry

Ruting Li, Writing Portfolio

Mariah Redfern, Poetry

Tiara Charma, Poetry

SILVER KEY: 

Art

Will Hawkins

Jiyoung Jeong (x2)

Brian Kim (x2)

Julie Kim (x3)

Matt Langden

Juliet McCann

Ainsley Iwanicki

Jeong Woo Kim

Ju Young (x3)

Writing

Madeline Barnes, Short Story

Luke Cadigan, Poetry

Letitia Chan, Poetry

Chandra Aeshna, Poetry

Allison Choi, Poetry (x2)

Minh-Anh Day, Dramatic Script and Short Story

Simone Hunter-Hobson, Poetry

Hannah Iafrati, Flash Fiction and Short Story

Jiyoung Jeong, Poetry (x2)

Sophie Kaufman, Writing Portfolio

Guangshen Li, Flash Fiction (x2)

Ellora Rich, Poetry

Eliza Scharfstein, Poetry

Alexandra Upton, Short Story (x2)

Clementine Wiley, Short Story (x2)

GOLD KEY:

Art

Will Hawkins – Drawing and Illustration “Help”

Jiyoung Jeong – Drawing and Illustration “Learning Humility”

Brian Kim – Drawing and Illustration “Peek-A-Boo”

Jeong Woo Kim – “Peek A Boo”

Writing

Sophie Cloherty – Flash Fiction “After Light Falls”

Julia Grace – Writing Portfolio “Vestigials”

Hannah Iafrati – Short Story “Birdman”

Jiyoung Jeong – Poetry “Hunted”

Chloe Kim – Poetry “First Lesson; Roseville, Minnesota 2003”

Eliza Scharfstein – Poetry “Host Mother in Valparaiso, Chile”

Tiara Sharma – Poetry “Vermillion” and “Missing Girls”

Alexandra Upton – Short Story “One Week”

Silver Key and/or Gold Key award winners are invited to attend the Regional Awards Ceremony at the Museum of Fine Arts on Saturday, March 7. Gold Key art awards winners will have their artwork displayed at Gallery 808 at Boston University, March 7 through 15, and both are eligible for National Scholastic Art Award honors.

“When sorrows come, they come not single spies. But in battalions!”  The winter storms may have temporarily stunted our good cheer, but Darlene Anastas and her cast of six offer a shield to fend off thy sorrows. I Hate Hamlet, a light-hearted comedy by Paul Rudnick, opens this weekend in Ruth King Theatre.

John Glasfeld (I) plays the role of John Barrymore, a ghost who returns to teach Andrew Rally, played by Chris Wilbur (III), how to perform Hamlet.  Girlfriend Deirdre, played by Grace Stanfield (II), defends her honor while the psychic real estate agent Felicia Dantine, played by Joy Lee (III), gives advice on love and life. Lillian Troy—Dorsey Glew (IV)—is Andrew’s acting agent who is very much in favor of his playing Hamlet. On the other hand, Gary Lefkowitz—Nick Gistis (IV)—arrives to bring Andrew back to Los Angeles to star in a new TV series. Conflict abounds. Will Andrew play Hamlet? Will Barrymore ever stop drinking? Will anyone find romance? Come to King Theatre this weekend and find out.

Tickets can be purchased at the door or during lunch in Forbes Dining Hall. Performances begin at 7:30 p.m. on Thursday, February 19 and Friday, February 20, and at 7 p.m. on Saturday, February 21.

A cast of eight actors, ranging from Class III to Class I, takes the stage in Wigg Hall for this fall’s 1212 Play, Eurydice by Sarah Ruhl.

The play reimagines the classic myth of Orpheus through the eyes of its heroine. Dying too young on her wedding day, Eurydice must journey to the underworld, where she reunites with her father and struggles to remember her lost love. With contemporary characters, ingenious plot twists, and breathtaking visual effects, the play is a fresh look at a timeless love story.

The tradition of 91̽��’s 1212 Plays began over 30 years ago in room 1212 of Warren Hall. The performances evolved from play readings to fully-staged productions under the direction of the late faculty member Nina Seidenman. When Warren Hall was renovated, and 1212 became an English classroom, the 1212 productions relocated to Wigg Hall. The space may have changed, but the philosophy is the same: intimate productions with small casts, minimal technical demands, and challenging material for both actors and audience.

Directed by performing arts faculty member Shane Fuller, Eurydice opens Thursday, December 4, at 7:30 p.m., and shows on Friday, December 5, at 7:30 p.m. and Saturday, December 6, at 7 p.m. For ticket information, email Shane_Fuller@milton.edu.